List of 2024 productions

  1. January: SOMETIMES ELEPHANTS DIE STANDING UP (ten-minute), Peekskill High School, New York.
  2. December: ON THE THIRTEENTH DAY OF CHRISTMAS (full-length), Attic Productions, Fincastle, Virignia.

Leave a comment

Delaware becomes my 48th state; plays win awards

Griffin Theatre in Bear, Delaware produced my 10-minute scripts THE BEAUTIFUL OGRE AND OTHER FAIRY TALES and THAT PLAY ABOUT THE GURGLING MUD PIT in August, thus checking off my 48th state. Still outstanding: Hawaii and New Hampshire.

Both productions also won some awards. The judges ranked THE BEAUTIFUL OGRE AND OTHER FAIRY TALES second, the audience voted it first.

Leave a comment

‘The Sandstorm’ in Roanoke

When my friend Randy Walker asked me if I’d like to contribute a performance to an evening of entertainment that he was putting on to raise money for his church’s pollinator garden, I knew immediately which one: THE SANDSTORM. It’s one of my most-produced 10-minute plays and one of the easiest to produce, even if the two characters are Martians. Amber Carderelli and Sidney Grutz agreed to come over to Roanoke to perform the show. Amber most recently directed REVENGE OF THE FAIRY QUEEN at Renaissance Theatre with Sidney as the fairy queen.

, , ,

Leave a comment

Overnight Sensations by night: 17,000 Heads

For the 10th time, I took part as a writer in Overnight Sensations, the 24-hour play festival sponsored by Hollins University and Mill Mountain Theatre. I’ve also taken part in five other timed writing events at other theatres, so this was my 15th overall. Previous posts showed went what down on Friday night and Saturday by day. Now it’s time to talk about the show.

My first thought when I drew science fiction was something with aliens. And my first thought when I drew a setting in a cocktail lounge was something in Las Vegas or otherwise near Area 51 in Nevada. That also seemed too obvious to me, so I started thinking about other science fiction concepts that didn’t involve aliens. One was time travel. I was also intrigued about setting the show in a different time period and some unexpected place. When I met with the cast, I found that some could speak French. That led me to this: The owner of a cocktail lounge in Montreal is a devoted French royalist and has hired a mad scientist to bring back through time Dr. Guillotine, who inspired the device that now bears his name, in a bid to prevent the French Revolution. That mad scientist will use a piano, tuned to a frequency we can’t hear, to open a sonic door through time. The experiment works better than anyone thought: Not only does Dr. Guillotine appear, but so does Marie Antoinette, who proceeds to tell him how long a human head survives after it’s been severed from the body. I don’t normally write dark, but this is dark — another unexpected twist for my fans.

At 5 p.m., the groups returned to the main stage for a cue-to-cue walk-through — and I returned from my nap. I don’t have phots from the actual performance but I do have these:

Bryan Hancock as the bartender, Mary Jean Levin as the cocktail lounge owner, Sophia Menconi as the piano player, Mack Burns as the mad scientist.

Read the rest of this entry »

Leave a comment

Overnight Sensations 2023: Saturday by day

For the 10th time, I took part as a writer in Overnight Sensations, the 24-hour play festival sponsored by Hollins University and Mill Mountain Theatre. I’ve also taken part in five other timed writing events at other theatres, so this was my 15th overall. A previous post showed went what down on Friday night.

What you don’t see are pictures of me writing Friday night and into early Saturday morning. In terms of a firm idea, I had what might have been my latest start ever but my earliest finish (12:30 a.m.) Once I get an idea, I can write pretty fast. I’ll explain more about what I wrote in another post.

Here’s how things went down Saturday morning and early afternoon.

We writers gathered at 8 a.m. for a meeting with our director, followed by a production meeting led by technical director Shelby Love (in the chair on stage). This went over the order of the shows (which sometimes is dictated by production needs), how transitions will work, and any production details — light cues, sound cues, etc.

Read the rest of this entry »

Leave a comment

Overnight Sensations 2023: Friday night

For the 10th time, I took part as a writer in Overnight Sensations, the 24-hour play festival sponsored by Hollins University and Mill Mountain Theatre. I’ve also taken part in five other timed writing events at other theatres, so this was my 15th overall.

Here’s how Overnight Sensations works: On Friday night, the six writers, six directors, and assorted cast members (and others) gathered at Hollins. The writers drew our directors from a hat (I drew Richie Cannaday), then the writers and directors took turns drawing a cast, a genre (I drew science fiction), a setting (a cocktail lounge) and a theme (I drew “before we lie to others we must first lie to ourselves.”) Then the writers have overnight to write a 10-minute play, with rehearsals on Saturday and a show Saturday night. Here’s how this year’s went down.

Read the rest of this entry »

Leave a comment

Photos from ‘Revenge of the Fairy Queen’ in Lynchburg, Va.

Renaissance Theatre in Lynchburg, Virginia produced “Revenge of the Fairy Queen” for three weekends in June 2023. Directed by Amber Carderelli, with Sarah Mandel as assistant director/stage manager and Tony Quaranta as production manager.

An awesome poster

Read the rest of this entry »

Leave a comment

List of 2023 productions

  1. Spring, date unknown: THE ARMADILLO QUEEN (full-length), Arlington Schools, Arlington, Ohio
  2. June: REVENGE OF THE FAIRY QUEEN (full-length), Renaissance Theatre, Lynchburg.
  3. July 8: 17,000 HEADS (ten-minute play), Overnight Sensations 24-hour play festival, Hollins University, Roanoke, Virginia.
  4. July 22: THE SANDSTORM (ten-minute play), St. Elizabeth’s Episcopal Church, Roanoke, Virginia
  5. Aug. 5: Staged reading of PLAY BALL! (full-length), Ragged Edge Theatre, Harrodsburg, Kentucky
  6. August 26-27: THE BEAUTIFUL OGRE AND OTHER FAIRY TALES and THAT PLAY ABOUT THE GURGLING MUD PIT (ten-minute), Griffin Theatre, Bear, Delaware.
  7. Sept. 19: THE ONE-WORD MACBETH (one-act), Basha High School, Chandler, Arizona.
  8. Oct. 19: THE ONE-WORD MACBETH (one-act), Fort Zumwalt West Drama Club, O’Fallon, Missouri.
  9. Oct. 23, 2023: CODE 40 VERONA (long one-act), Rock Springs Christian Academy, Milner, Georgia.
  10. Oct. 26, 2023: MACBETH GOES HOLLYWOOD (long one-act), Red Wing High School, Red Wing, Minnesota.
  11. December 1-10: SVETLANA’S FIRST CHRISTMAS AWAY FROM HOME (one-act), Xenia Area Community Theatre, Xenia, Ohio.
  12. December 1-10: ON THE THIRETEENTH DAY OF CHRISTMAS (full-length), Mountain Roots Community Theatre, Belle, West Virginia
  13. December 7: CODE 40 VERONA (long one-act), Colorado Early Colleges, Colorado Springs, Colorado.
  14. December: THE CHRISTMAS SPIDER (one-act), Crash Course Theater, Manchester, Tennessee
  15. December: A ZOMBIE CHRISTMAS (ten-minute), Crash Course Theater, Manchester, Tennessee
  16. December: SHAKESPEARE’S LOST CHRISTMAS PLAY (full-length), RBCC Players, Shoreline, Washington.
  17. December 16: THE FRUITCAKE (one-act), Blountstown High School, Marianna, Florida.

Leave a comment

Video: ‘No Two Snowflakes’ in New York

My 10- minute play NO TWO SNOWFLAKES was produced in July-August 2021 at The Secret Theatre in New York. Fellow playwright Larry Rinkel graciously shot this video. The show was directed by Melissa Lewyn and starred Emma Sarah Davis as Veronica, Alex Hardin as the government agent and Cameron Reese as the mom. Earlier I posted this still photo of the cast and director.

Leave a comment

Video: ‘Free Popcorn’ in Houston

My one-minute play FREE POPCORN was produced in July in the GI60x Houston festival, part of the international Gone in 60 Seconds programming.

Leave a comment